This Weekend’s VOD Favorites

The Gay Cinema Video On Demand experience at TLAgay.com has your entertainment needs covered! We’re always working to expand selection of new and old gay-themed movies available for your viewing pleasure. Here’s just five of our current favorites that you may have missed – ALL available to watch INSTANTLY! Stay home, stay safe and enjoy a movie!

 

Nowhere
Adrian and Sebastian (Miguel González and Juan Pablo Castiblanco) live an openly gay life in New York as immigrants. When Sebastian’s visa is rejected, the two must decide whether to return to Colombia – where they face rejection and persecution for their sexual orientation – or do whatever is necessary to stay in the United States. Either way, the thoughts and discussions associated with the decision will have a profound effect on the couple. Hitting upon hot button issues, Nowhere is a riveting new romantic drama that places its characters within the context of the difficult immigration situation in the US – as well as a furthering sense of homelessness and lack of belonging, which consistently haunts out main protagonists.

 

The Harvesters
In this stirring debut, Greek-African filmmaker Etienne Kallos explores repressed sexuality, religion and masculinity in the deep South African countryside. Two teenage boys start a dangerous fight for power, heritage and parental love that will change both of their lives forever. Religion and field work are the guiding principles of their conservative farming community, where strength and masculinity are valued above all else. In this repressive environment, young Janno (Brent Vermeulen) keeps his feelings to himself. One day his mother brings home Pieter (Alex van Dyk), a hardened street orphan she wants to save, and asks Janno to treat this stranger as his new brother. The trouble is: Pieter does not want to be saved.

 

Greta
70-year-old nurse Pedro (Marco Nanini) needs to find a hospital bed for his friend Daniela (Denise Weinberg). In an effort to free up space, he secretly takes a wounded young man (Demick Lopes) into his home. In spite of the young man’s troubled past, a tender, physical relationship develops between the caring Pedro, and Jean, his convalescent houseguest. Though Jean refers to him as “my old cocksucker,” the young man’s true intentions are hard to discern. This affectionate and dignified cinematic debut tells a tale of friendship, love, sex and age. Surrounded as he is by sickness, death and other disasters on a daily basis, Pedro is possessed of the kind of strength of character that means he is not easily fazed. Not even when he makes a surprising discovery about his new, much younger lover.

 

You’ll Never Be Alone
Introverted Juan (Sergio Hernández), manager of a mannequin factory, lives alone with his eighteen-year-old gay son, Pablo (Andrew Bargsted). Whilst Pablo blithely studies dance, Juan is hoping that, after twenty-five years at the firm, his boss will consider him for a partnership. When Pablo is badly wounded in a brutal homophobic attack, which sees him hospitalized, his father realizes just how far they have become estranged. A lack of witnesses and expensive medical bills force Juan to leave the quiet stability of his life for good and reposition himself in a world where there is discrimination. Time and again, his efforts amount to nothing… until one night on the streets of Santiago when he decides to start making up his own rules in order to save his son.

 

Malila: The Farewell Flower
Former lovers Shane and Pitch (Sukollawat Kanarot and Anuchit Sapanpong) reunite after years apart and try to heal the wounds of their past. Shane is haunted by the tragic death of his daughter, while Pitch suffers a grave illness, rejecting medical treatment as painful and ineffective. A talented artist, Pitch creates beautiful structures made out of flowers and banana leaves as a way to cope with his deteriorating health. Meanwhile, Shane trains to become a Buddhist monk, in an effort to build karma for Pitch… to either keep him alive or to help him along in his afterlife. A remarkably beautiful, spiritual film from Thai director Anucha Boonyawatana (the same director behind the films The Blue Hour and Down the River), Malila: The Farewell Flower is as close to transcendent as cinema gets.

This Weekend’s VOD Favorites

The Gay Cinema Video On Demand experience at TLAgay.com has your entertainment needs covered! We’re always working to expand selection of new and old gay-themed movies available for your viewing pleasure. Here’s just five of our current favorites, from various years, that you may have missed – ALL available to watch INSTANTLY! These aren’t our TOP 5, by any means – just a handful of flicks we want to highlight.

Desire Will Set You Free
A gay romance with a punk/hardcore aesthetic, Desire Will Set You Free takes you deep into the free-spirited, drug-fueled queer-paradise of contemporary Berlin. Ezra, a struggling American writer, meets Sasha, a Russian immigrant escort, and he introduces him to his world of clubs and parties – a dizzying and vibrant hedonistic underground. As they journey together through Berlin’s layered history and unique subcultural landscapes, their relationship begins to take a new form and inner desires threaten to disrupt everything. Fast-paced and sexy with eye-popping cinematography and production design, Desire Will Set You Free features an über-large cast of notable figures, including Amber Benson (Tara on Buffy the Vampire Slayer), “Godmother of Punk” Nina Hagen, infamous performance artist Peaches and legendary gay artist/filmmaker Rosa Von Praunheim.

Red Without Blue
Red Without Blue is the groundbreaking documentary about the indestructible ties of family. This visually arresting film chronicles the close, yet sometimes strained relationship between identical twins Mark and Alex as Alex undergoes a transformation into a woman named Clair. Captured over a period of three years, Red Without Blue documents the twins and their parents, examining the Farley’s struggle to redefine their family. Through its portrayal of these articulate and independent twins, each haunted by the painful experiences of their adolescence, the film questions normative standards of gender and identity – as Mark and Clair reassert their indescribable bond as identical twins.

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