This Weekend’s VOD Favorites

The Gay Cinema Video On Demand experience at TLAgay.com has your entertainment needs covered! We’re always working to expand selection of new and old gay-themed movies available for your viewing pleasure. Here’s just five of our current favorites, from various years, that you may have missed – ALL available to watch INSTANTLY! These aren’t our TOP 5, by any means – just a handful of flicks we want to highlight.

Monsters & Men
From award-winning directors Blake Mawson, Francis Luta and Dominic Poliquin comes a collection of edgy and suspenseful gay short films exploring the hidden monsters inside all of us. In PYOTR495, a 16-year-old Russian boy meets someone from a hook-up app and ends up in a dangerous situation. Attention of Men follows an aspiring writer who collects money for having sex with a complete stranger. Wolf concerns an unusual love triangle driven by uncontrollable urges. Forces focuses on the intense bromance between a gay football player and a straight military man. And finally Turbulence follows a young gay couple who face some difficult truths during a particularly intense flight. Watch all of these exceptional shorts in one collection with this new TLA Exclusive! We also make each of the films available individually if any particular one catches your eye.

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I'll Love You Forever... Tonight (c) No Restrictions Entertainment

Throwback Thursday: I’ll Love You Forever… Tonight

A gritty gay curio available only recently on DVD and VOD for the first time ever, I’ll Love You Forever… Tonight will transport you back in time, right to the pulse of the New Queer Cinema movement.

 

Made back in 1992 for under $100,000 by writer-director Edgar Michael Bravo as his thesis film for UCLA, this somber and searing drama, set in queer twenty-something Los Angeles, revolves around the lives, loves and sexual relations of a group of friends and acquaintances. Serious with occasional flashes of humor, the film delves into the loneliness, self-deception and self-loathing of its several gay male characters with an unflinching realism.

 

Described as “Pinter-on-Fire Island” and “a queer Big Chill,” this thought-provoking tale, filmed in shadowy black and white, captures the tensions of post-AIDS male youth in the late 1980s/early 1990s. Compassionate and always perceptive, the film is rough around the edges, but represents a certain time and place in independent filmmaking that will charm anyone who remembers the the arthouse video store era fondly.

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