“The funniest gender-bending, human-cloning refugee-crisis soccer comedy I’ve ever seen, and also the most thoughtful.” – Justin Chang, Los Angeles Times
“Critic’s Pick! This simultaneously goofy and deft satirical comedy… feels like an early Adam Sandler comedy remixed by Pier Paolo Pasolini.” – Glenn Kenny, The New York Times
“So great! An insane gusher of fun, smartness, beauty and stunning unpredictability. It filled me with a giant pink fluffiness from which I don’t ever want to be separated!” – Filmmaker Guy Maddin
“Lovably ludicrous. The freshest blast of gonzo comic energy at this year’s Cannes Film Festival. Part loopily queer sci-fi thriller, part faux-naive political rallying cry, glued together with candyfloss clouds of romantic reverie.” – Guy Lodge, Variety
“The kind of out-there plot that John Waters might have concocted had he ever taken an extensive screenwriting holiday on XTC in the Algarve. A smart exploration of the transgressive nature of queer desire. Finally, you can have your B-movie cake and eat it with grade-A ideas too.” – Boyd van Hoeij, The Hollywood Reporter
“An instant cult classic.” – Eric Kohn, Indiewire
